John Robertson Artist

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The Challenge and Joy of Painting Big

The Power of Large-Scale Painting

A 5 foot x 8 foot acrylic painting of a football player

There’s something about working on a 5 ft x 8 ft canvas that demands your attention. I pulls you in, physically and emotionally. Painting on this scale isn’t just about the art. It’s about the sheer act of standing in front of this massive space and figuring out how to bring it to life. When I painted this football player in shoulder pads, it felt like a real challenge. I wasn’t just painting a guy in gear; I was trying to capture something bigger. I wanted the viewer to feel the strength, the presence, the raw humanity of it.

Why I Love Painting Big

Painting something this large makes you feel the painting, not just see it. The whole process is immersive. I’m constantly stepping back, leaning in, moving around. It’s not delicate work. It's a lot of physical movement. It is almost like exercise (minus the gym membership). The act of covering such a big canvas requires commitment. You don’t just dab at it; you go all in. And when it’s done, you have this piece that commands attention.

The Story Behind the Painting

This particular piece started from a TV commercial. I saw this football player standing there in shoulder pads. I thought, “What if I try painting him that big in my studio?” At first, the idea seemed ridiculous. Where would I even find someone who would want to buy this thing? But I went for it, and, of course, it took a lot of paint And I ended up covered in some of it myself. But that’s the nature of painting large.

Why Size Matters

Large paintings don’t let you ignore them. That’s what I love most about working big. It’s a statement. When you walk into a room, the scale of it stops you. You feel the intensity. The player’s stance, his pads, his sheer presence. It all hits harder because of the size. A painting like this has emotional weight. You can’t help but stand in front of it and feel something.